Morgan Wong (b. 1984, Hong Kong), was based in Beijing and London, currently lives and works in Hong Kong.

 

Previous solo shows include: Filing Down a Steel Bar Until a Needle is Made, Tintype Gallery, London, UK (2013); One Hour, 2P Contemporary Art Gallery, Hong Kong; Untitled – Agnosia Series I, Videotage, Hong Kong (both 2011); A Story of an Eel Chef, Oyoyo Art Center, Sapporo, Japan (2010); Once You Were Here, Para Site Central, Hong Kong (2009). Recent group exhibitions include: The Mirror and Monitor of Democracy in Asia, Gwangju Museum of Art, Gwangju, Korea; After Time, Pearl Lam Galleries, Hong Kong; We Love Video This Summer, Pace Beijing, Beijing, China; 8th Shenzhen Sculpture Biennale, OCT Contemporary Art Terminal, Shenzhen, China; Encounters – Art Basel Hong Kong, Hong Kong (all 2014); Move on Asia – Video Art in Asia 2002 to 2012, ZKM Media Museum, Karlsruhe, Germany; Artists Film International, Whitechapel Gallery, London, UK; 18th Videobrasil, SESC Pompeia, Sao Paulo, Brazil (all 2013); Liste 17, Liste Art Fair, Basel, Switzerland; Fictional Recoveries, Pearl Lam Galleries, Shanghai, China; Running on the Sidelines, Soka Art Center, Taipei, Taiwan (all 2012); The Knife’s Edge, Fremantle Art Centre, Perth, Australia (2011); No Soul For Sale, Tate Modern, London, UK; FAX, Para Site, Hong Kong (both 2010); Digit@logue – Hong Kong Art Open: Open Dialogue Exhibition Series I, Hong Kong Museum of Art, Hong Kong (2008). Having research focus in durational performance and temporality, Wong’s work are featured in recent publications include: The No Colours (Hatje Cantz, 2014); Hong Kong Eye: Contemporary Hong Kong Art (Skira Editore, 2013); Hong Kong Artists / 20 Portraits (Verlag fur moderne Kunst, 2012); Frieze, Art Forum Online, Yishu and other media. Current and upcoming exhibitions include: Cosmos, Shanghai 21st Century Minsheng Contemporary Art Museum, Shanghai, China (2014); Sparkle Project, Oil Street Art Space, Hong Kong; Essential Matters, Borusan Contemporary Istanbul, Istanbul, Turkey (both 2015).